Features

Novelists work alone. So do painters. So why do so many composers choose to work in pairs? Rebecca Barry reports.

Music Commissioners

Whether creating music for television, film or advertising, composers have long relied on commissioners to make a living. Fiona Sturges uncovers the secrets of a successful working partnership. Read full article

Posted: May 05, 09 | Comments: 0

Composing Partnerships — a balancing act?

Novelists work alone. So do painters. So why do so many composers choose to work in pairs? Rebecca Barry reports. Read full article

Posted: Feb 05, 09 | Comments: 1

Investigating the Library Music Industry

Once considered the fast food of the music industry, library music is now a significant resource for producers and a lucrative career option for composers. Rebecca Barry reports. Read full article

Posted: Dec 04, 08 | Comments: 2

Matthew Strachan Q&A

Screened Music guest panellist, Matthew Strachan, shares his views on pitching for free, having an agent, his sound track for Who Wants To Be A Millionaire? and the state of the industry. Reporting by Nicki Household. Read full article

Posted: Dec 02, 08 | Comments: 0

Pitching For Free — What's the Deal?

The majority of film and television composers say it's only fair that they charge for pitches and demos. So why do so many go unpaid? Rebecca Barry reports. Read full article

Posted: Oct 24, 08 | Comments: 11

Talent Competitions — Do They Deliver?

These are tough times for aspiring composers looking for their big break. There are more people than ever with a passion for creating new sounds, and competition is fierce. Could a talent competition be the place to start? Fiona Sturges reports. Read full article

Posted: Oct 24, 08 | Comments: 1

Feature Comment

"It is indeed offensive to be told to work for free (rarely do producers ask if it is acceptable). However, the choices are radically limited: if one doesn't compose (/record/mix) for free, one does not......"
Andrew Hewitt on the Feature Pitching For Free — What's the Deal?

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Fear of Retribution by Lila Senior

Moods: Atmospheric
Genres: Piano

Trick Or Treat by Alex Plowright

Moods: Fun, Cheerful, Weird
Genres: Retro, Easy Listening, Experimental

No Way Out by Elizabeth Levine

Moods: Dramatic, Energetic, Epic
Genres: Orchestral, Strings

Trick Or Treat by Alex Plowright

“Brilliant!!!…”
Didier Messidoro (Composer)

South Africa World Cup 2010 by Matt Thomas

“This captures the spirit perfectly and is very, very catchy! It could very well have been used during the coverage in numerous ways. Expert production values too. Great work Matt.…”
David Hunt (Composer)

Missing You by Ed David Watkins

“It's always difficult to produce romantic music with a novel edge, but I think this captures the dyadic interaction of lovers very well. The simple instrumentation, harmonies and colouring lend themselves...…”
Ian Toone (Member)

Featured Panellist Michael J. McEvoy

Screened Music Guest Panellist Michael J. McEvoy

Michael J McEvoy is a composer and performing musician with a varied background in the music industry, having worked in popular music, TV composition and feature film scoring. Recent credits include the new Open Titles theme music for 'Live From Abbey Road'(C4) and original music for Richard Linklater's feature, 'Me and Orson Welles', starring Zac Efron and Claire Danes

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