The SCREENED MUSIC NETWORK MASTERCLASSES 2012

Orchestral Sound for film & TV composers — Thursday, 21 JULY '11

World renowned orchestrator and conductor Nicholas Dodd and his team of specialist mockup producers will be delivering a unique day on the process of creating an authentic orchestral sound with samples.

The day will focus on real world film projects including James Bond, Narnia, Morning Glory and Avatar, providing a rare insight into the techniques and working practices that contribute to today's epic movie sound.

Specialist mockup engineers Stu Kennedy and David Hearn will be sharing their tips, not only on what is current in the industry, but who is using it and how it's being used, including a detailed look at how to get the most out of the sounds.

Read about our previous event Drums & Drum Programming.

Keynote Speaker: Nicholas Dodd

Recognized for his distinguished body of film work as orchestrator and conductor, Nicholas Dodd is a graduate with honours from the Royal College of Music in London. Film credits include Stargate, Independence Day, Godzilla, Lethal Weapon 4, The Mummy as well as his work with David Arnold on the James Bond films, Tomorrow Never Dies, The World Is Not Enough, Die Another Day and Casino Royale. More

Schedule

Only 120 tickets available -
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The day will comprise of four sessions. There will be time allocated for Q&A after each session and regular coffee and networking sessions throughout the day.

Registration & Welcome

9:30 - 10:00

Nick Ryan

Nick Ryan is an award-winning composer, sound designer and audio-media specialist. His unique approach to music and sound and his core interest in using sound and music to describe visual 'form' has resulted in his collaboration with diverse disciplines of film drama and documentary.

10:00 - 11:30

Tools with Stu Kennedy

An overview of available libraries in the pro market. Having the right tools for the job, different approaches to orchestral scoring and a look at what is currently being used by today's film composers.

  • Why Use Samples? Pre-production tools, supplementing or replacing live recordings.
  • Sample Libraries & Instruments. Different approaches to instruments, the big contenders, choosing the best library (flexibility, realism, playability, cost).
  • Hardware & DAW (processor, RAM, storage).

11:30 - 13:00

Workflow with David Hearn

Examining different approaches to producing orchestral mockups, including how to optimise workflow, template considerations, working with multiple libraries and personalising instruments.

  • Workflow approaches. Accurate mockup, mockup while writing, supplementing live work, consolidation of articulations, keyswitches and controllers between libraries.
  • Mockup templates. Optimising for speed, performance and efficiency, personalising how instruments react.
  • Template considerations. Layout, approaches, mixing, setting up.

Lunch

13:00 - 13:30

13:30 - 15:00

Skills with Stu Kennedy and David Hearn

A detailed look at the production techniques required for an authentic sound followed by a look at essential mixing tips for a realistic live sound.

  • Achieving Realism. Choosing the right patch, timing & input methods, dynamics, articulations
  • Production. Mixing / balancing, room emulation, compression, mastering etc.

15:00 - 16:30

In Practice with Nicholas Dodd

A look at the process from the orchestrator's point of view and the practice of working with mockup engineers, what is expected and the pitfalls to avoid, followed by a look at real world projects including James Bond, Avatar and Nania.

  • Orchestrating for mockup. Sample library limitations, range, articulations.
  • Writing for samples or working samples to the writing. Understanding real instruments' behaviour for realism
  • Realworld Projects. Movie demo Mockup, movie replacement Mockup, song Mockup, TV writing & mockup
  • Open Laptop Session. From notation, while writing.

Audience Questions

16:30 onwards

Followed by drinks in the bar.

NFT2 (National Film Theatre 2) BFI (British Film Institute) Southbank



BFI Southbank
Belvedere Road
South Bank
London
SE1 8XT

By car - There is ample parking under Hayward Gallery, Royal National Theatre, Jubilee Gardens.

By train/underground - Waterloo (South Bank exit); Embankment and Charing Cross (cross Hungerford Bridge to South Bank).

More information available on the BFI website.

Supporters