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Most Discussed Film and TV music
Period:
| Position # |
Track |
Composer |
Moods |
Genres |
Comment
Count |
Recommendation
Count |
| 1 |
Ocean Dawn |
Rodney Newton |
Orchestral |
Atmospheric, Epic, Dramatic |
20 |
 + 10 more |
| 2 |
Anthem |
Tony Patterson |
Choral, Ambient, Orchestral |
Dramatic, Epic, Energetic |
14 |
 |
| 3 |
Andes to Amazon |
Anne Nikitin |
Orchestral |
Dramatic, Sentimental, Epic |
13 |
|
| 4 |
Rollers and Breakers |
Rodney Newton |
Orchestral |
Epic, Energetic, Fun |
12 |
+ 2 more |
| 5 |
Dropping The Bomb |
Daniel Pemberton |
Orchestral |
Dark, Suspense, Weird |
12 |
+ 1 more |
| 6 |
Helicopter (EON Commercial) |
Rob Manning |
Folk, Acoustic, Blues |
Cheerful, Fun |
12 |
+ 2 more |
| 7 |
Save Our Seas |
Andy Quin |
Orchestral |
Atmospheric, Dramatic, Epic |
11 |
|
| 8 |
Hornets Attack! |
Tony Patterson |
Orchestral, Strings |
Dramatic, Epic, Factual |
10 |
|
| 9 |
Dancing Mantarays |
Dan Weinberg |
Orchestral, Ambient |
Atmospheric, Dramatic, Factual |
10 |
|
| 10 |
Empty |
Olivia Dixon |
Ambient, Experimental, Industrial |
Dark, Weird, Cool |
10 |
|
| 11 |
Galapagos Islands |
Dale Sumner |
Orchestral, Electronica |
Atmospheric, Dramatic, Epic |
10 |
|
| 12 |
Supernatural |
Olivia Dixon |
Strings, Piano, Experimental |
Epic, Dark, Weird |
10 |
|
| 13 |
Nuclear Devastation (E=mc2) |
Michael J. McEvoy |
Orchestral, Strings |
Dark, Dramatic, Atmospheric |
9 |
|
| 14 |
Fields of Daffodils |
Elizabeth Parker |
Orchestral, Acoustic |
Sentimental, Mellow |
8 |
|
| 15 |
Earth |
Tony Patterson |
Orchestral, World, Ambient |
Atmospheric, Dramatic |
8 |
|
| 16 |
Only Way Out |
Jack Chapple |
Orchestral |
Energetic, Dramatic, Suspense |
8 |
|
| 17 |
Elevation |
Olivia Dixon |
Piano, Strings, Electronica |
Sentimental, Chilled, Cool |
8 |
|
| 18 |
DNA |
Jonathan Ware |
Ambient, Orchestral, Electronica |
Atmospheric, Dark, Dramatic |
8 |
|
| 19 |
A Passing Whale |
Elizabeth Parker |
Ambient |
Dark, Mellow, Weird |
7 |
|
| 20 |
The Lost Gardens of Heligan |
Elizabeth Parker |
Piano, Strings |
Romantic, Atmospheric, Melancholy |
7 |
|
| 21 |
Battleground |
Jules Bromley |
Orchestral, Dance, Rock |
Dramatic, Energetic, Epic |
7 |
|
| 22 |
Invisible |
Mark Adair |
Orchestral, Piano, Acoustic |
Atmospheric, Dramatic, Suspense |
7 |
|
| 23 |
Police Drama |
Tony Patterson |
Ambient, Orchestral, Strings |
Dramatic, Energetic, Dark |
7 |
|
| 24 |
The State Versus |
Rob Manning |
Orchestral, Piano |
Atmospheric, Dramatic |
7 |
|
| 25 |
Scoops |
Jamie Salisbury |
Orchestral, Jazz, Strings |
Cheerful, Dramatic, Fun |
7 |
|
| 26 |
Apollo 8 Takeoff |
Alex Baranowski |
Orchestral, Piano |
Epic, Dramatic |
7 |
|
| 27 |
Magic |
Sefi Carmel |
Industrial, Orchestral, Rock |
Dramatic, Dark, Epic |
7 |
|
| 28 |
Dancing on Ice |
Paul Farrer |
Pop |
Cheerful, Fun, Energetic |
6 |
|
| 29 |
Lobo Pre title |
William Goodchild |
Country, Orchestral |
Atmospheric, Dramatic, Romantic |
6 |
|
| 30 |
Arguments and Accusations |
Simon Lambros |
Orchestral |
Suspense, Dark, Sentimental |
6 |
|
Successful mastering depends upon the involvement of a highly trained, skilled engineer, the appropriate combination of traditional and state-of-the-art equipment, plus an ideal acoustic environment.
16 May 16:42
10 May 01:29
07 May 14:26
05 May 20:19
- “Beautiful peace Isa, the title says it all, its also very filmic, I love it!…”
- Anthony Flynn (Composer)
05 May 16:01
- “What a jewel ! Amazing orchestration which depicts very well the feeling of being at sea. Awesome composition and fantastic musicians!…”
- Isa Suarez (Composer)
05 May 15:57
- “A catchy tune and it's very atmospheric throughout. I really like the relentless piano melody and the beat coming in with the weird electro sounds.…”
- Isa Suarez (Composer)
Ben Walter is Managing Director of Jimmy Turner; a fully integrated creative music consultancy. Ben worked at Sony ATV / Extreme Music for many years followed by a brief spell at Ricall before leaving to join Jimmy Turner.
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Listen to Stephen Daltry's interpretation of the discovery of an ancient greek calculator at the bottom of the sea. More
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