Skip to main content

Olivia Dixon – Music Composer, Channel Islands

  • Member (3 years 3 months 6 days)
  • Screened Music Composer (3 years 1 months 2 days)
  • Panellist (7 months 14 days)

Biography

Image of Olivia Dixon

Olivia graduated in music from Exeter University in 1995 and, after completing a PGCE, began teaching music while studying for an MA in composition for television and film. An increasing fascination with music technology led her to specialise in teaching music production for multimedia, and in 2002 she began writing screen music professionally for various agencies and publishers including Extreme Music, Finger Music and Boost Music. Her music is now used extensively around the world in documentaries, adverts and films.

In 2007 she founded the Screened Music Network in an attempt to form a vibrant community for professional screen composers, and a useful resource for music commissioners. The network has since grown to include over 90 professional composers, many of whom are among the most talented and successful working in the UK today. Olivia is also managing director of Big Screen Music, a boutique production music label specialising in cinematic music.

Composing Information

  • Classification: Established
  • Profession: Composer, Performer (Piano)
  • Primary Sequencer: Logic
  • Operating System: Mac
  • Projects: Numerous shorts and documentaries, production music for Boost Music, and Extreme Music, TV & radio adverts for Finger Music.
  • Relevant Qualifications: BA Music Exeter University, MA Composition for TV and Film Kingston University

Contact Information

You must be logged in to contact a user. Login now.

Film & TV MusicTracks

  • Summary:
  • Panel Highly recommended 2 Recommended track 0
  • Composers Highly recommended 18 Recommended track 7
  • Members Highly recommended 3 Recommended track 2
Title Moods Genres Posted Comments Recommendations
Hypnotic
    Minimalist
    Sentimental
    Mellow
    Piano
707
days ago
5 I love this track iconI love this track iconI love this track iconI love this track iconI like this track icon
13
Supernatural
    Epic
    Dark
    Weird
    Strings
    Piano
    Experimental
1122
days ago
9 I love this track iconI love this track iconI love this track iconI love this track iconI love this track iconI like this track iconI like this track iconI like this track icon
18
Empty
    Dark
    Weird
    Cool
    Ambient
    Experimental
    Industrial
1122
days ago
8 I love this track iconI love this track iconI love this track iconI love this track iconI love this track iconI love this track iconI like this track iconI like this track icon
20
Elevation
    Sentimental
    Chilled
    Cool
    Piano
    Strings
    Electronica
1126
days ago
8 I love this track iconI love this track iconI love this track iconI like this track iconI like this track iconI like this track icon
12
Underwater Waltz
    Mellow
    Romantic
    Dark
    Piano
707
days ago
5 I love this track iconI love this track iconI love this track iconI love this track iconI love this track icon
15

Ratings & Reviews Summary

Key: Highly recommended = Highly Recommended Recommended track = Recommended
Panellists Ben Walter loves this track!Elizabeth Parker loves this track!
Composers Matt Dunkley loves this track!John Llewellyn Brees loves this track!Mick Kiely loves this track!Jules Bromley loves this track!Jason Chatwin loves this track!Tony Patterson loves this track!keith mills loves this track!Fadi Gaziri loves this track!Stephen Rees loves this track!Stephen Rees loves this track!Ty Jeffries loves this track!Andy Quin loves this track!Corin Buckeridge loves this track!Leigh Phillips loves this track!Leigh Phillips loves this track!Amir Khalaf loves this track!Johan van der Voet loves this track!Mick Kiely loves this track!Anthony Flynn likes this track.Alex Baranowski likes this track.Nick Norton-Smith likes this track.Dov Waterman likes this track.Michael J. McEvoy likes this track.Mick Kiely likes this track.Rob Manning likes this track.
Members Andrea Howarth Salazar loves this track!Melody Xu loves this track!Melody Xu loves this track!Kate Johnson likes this track.Melody Xu likes this track.

Composing Genres

Olivia composes in the following film and television music genres (bold = specialises in):

  • Ambient
  • Acoustic
  • Choral
  • Dance
  • Easy Listening
  • Electronica
  • Experimental
  • Folk
  • Industrial
  • Orchestral
  • Piano
  • Strings
  • Urban
  • World

Music recommended by Olivia Dixon

The State Versus by Film & TV ComposerRob Manning

Beautiful. I love the way the strings are gradually introduced and so subtly scored.
3 years 1 months 29 days

Anthem by Film & TV ComposerTony Patterson

Nice fat sound and a very catchy hook. Chilled out middle section is a nice touch. Would have been great if this section was a little longer - more useable perhaps?
3 years 1 months 29 days

Police Drama by Film & TV ComposerTony Patterson

Another strong melody from Anthony and I can see this working really well as a police drama. The pace, instrumentation and harmony seem spot on.
3 years 1 months 25 days

Temerario by Film & TV ComposerMat Davidson

Really lovely sensitive writing for strings and beautifully produced guitar
3 years 1 months 21 days

Earth by Film & TV ComposerTony Patterson

Lovely instrumentation - I can see this working very well in a travel or wildlife doc
3 years 1 months 18 days

Galapagos by Film & TV ComposerTony Patterson

A lovely piece - well orchestrated and produced. Just the right amount of percussion to lift the harmony. Quite moving in places..
3 years 1 months 13 days

movement by Film & TV ComposerMax Wilson

Beautiful. Intelligently scored and with real sensitivity. What a difference a live string orchestra makes.
3 years 1 months 11 days

The Operating Table by Film & TV ComposerMick Kiely

Great textures and sounds. I think it could be improved with a more recognisable theme, but the sounds seem spot on for the context described.
3 years 27 days

Commercials by Film & TV ComposerMark Adair

Really enjoyed these. Particularly the first two - inventive and unusal.
3 years 26 days

Nuclear Devastation (E=mc2) by Film & TV ComposerMichael J. McEvoy

Beautifully expressive. Would love to hear more of this.
3 years 26 days

Beautiful Ground of Being by Film & TV ComposerMichael J. McEvoy

Love the instrumentation and rhythms in this
3 years 26 days

Dreams of Dhamar by Film & TV ComposerDale Sumner

Really hard to to do this kind of thing without it sounding clichéd. This is great - really inventive.
3 years 23 days

Galapagos Islands by Film & TV ComposerDale Sumner

Fantastic epic stuff! There's real energy to it. Vocal really lifts it at the start.
3 years 23 days

Invisible by Film & TV ComposerMark Adair

Sounds very Thomas Newman - a good thing in my book
3 years 18 days

Ocean Dawn by Film & TV ComposerRodney Newton

Overwhelms with the joy of nature at its most beautiful. I can hear it coming alive. Wonderful music.
3 years 28 days

First Impact by Film & TV ComposerDov Waterman

Fantastic! I'm a sucker for aggressive strings and driving percussion and the voices really lift it. Great cinematic stuff.
2 years 11 months 23 days

Travelling in Time by Film & TV ComposerSimon Lambros

Wonderful haunting textures. This has hints of Danny Elfman but with more subtlety and imagination.
2 years 11 months 22 days

Chase sequence - Stig of the Dump by Film & TV ComposerCorin Buckeridge

A thoroughly professional job! Great imagination.
2 years 11 months 21 days

Tycoon by Film & TV ComposerPaul Farrer

Really dynamic music I love the use of harpsichord. Fantastic climax.
2 years 11 months 20 days

Only Way Out by Film & TV ComposerJack Chapple

Hard to believe this wasn't scored to picture - great imagination!
2 years 10 months 29 days

The Navigator (Extract) by Film & TV ComposerAl Lethbridge

A beautiful performance and production of a very moving piece
2 years 10 months 25 days

End Of Days by Film & TV ComposerAndy Quin

Wonderfully uplifting and inspirational. The combination of instruments really works with the subject matter and the build up is fantastic with a climax at 3 mins that is worth the wait. Really powerful - turn the volume up!
2 years 10 months 22 days

Chev-ro-ley by Film & TV ComposerAndrew Kremer

Very stylish little track. Great string bass line.
2 years 10 months 11 days

Thunder barracks by Film & TV ComposerDov Waterman

Powerful opening. Great energy to this piece.
2 years 10 months 11 days

Ascension by Film & TV ComposerTony Patterson

I love this track. The subtle combination of instruments in the build up works beautifully and the vocal is great - I didn't know you could sing Tony!
2 years 10 months 10 days

Fields of Daffodils by Film & TV ComposerElizabeth Parker

This is my favourite of all your scores, although less spectacular than some, it has a natural beauty to it which is effortless, perfectly encapsulating the subject matter.
2 years 10 months 8 days

Road to Nowhere by Film & TV ComposerToni Baker

Fantastic!
2 years 9 months 21 days

Angerer's Theme by Film & TV ComposerJack C Arnold

Very moving and beautifully subtle - not too intrusive. I imagine it heighted the emotion of the film really well.
2 years 8 months 30 days

MediEvil Closing Credits by Film & TV ComposerAndrew Barnabas

As Rodney says, the orchestration is excellent here. However to an extent I think that the so-called 'predictable' nature of the material was probably necessary so as not to overpower the user experience. I am sure this delivered on brief and beyond. Very enjoyable.
2 years 6 months 17 days

Intermezzo by Film & TV ComposerFadi Gaziri

I like the unusual textures and subtlety of this. Very effective.
2 years 6 months 17 days

Moni's Theme by Film & TV ComposerJack C Arnold

Perfectly captures a sense of loneliness and disconnection. Great use of sound.
2 years 5 months 3 days

Farewell My Dear by Film & TV ComposerLuke Richards

Yes this shows such an instinctive gift for orchestration. Such a light and airy feel it doesn't overpower and has space to breath - much like a lot of your other stuff.
2 years 4 months 15 days

Space Mirrors by Film & TV ComposerWayne Urquhart

Wonderful! So many lovely ideas and textures in here and it continues to grow and develop without ever disappointing. Exceptional music.
2 years 2 months 16 days

Dimitri by Film & TV ComposerRodney Newton

What a beautiful performance and the mood is so evocative of this time of year. Mince pie anyone?
1 years 7 months 13 days

Extinct by Film & TV ComposerAlex Baranowski

Powerful track - nice build. I imagine it really added to the emotional impact of the documentary.
1 years 5 months 12 days

Father and Son by Film & TV ComposerMatt Dunkley

Fantastic heroic theme. Great brass. You think you know where it's going then a lovely understated mid-section comes along.
1 years 5 months 12 days

Crossing the Met / Sad War by Film & TV ComposerLin Sangster

A powerful piece and quite mesmerising. Without knowing more about the context I cannot comment on the suitability to picture, but as a stand alone piece this is a very skillful example of creative sound design.
7 months 14 days

Sea Point Days main theme by Film & TV ComposerPeter Coyte

Lovely expressive fiddle writing and no doubt this was a powerful opening, although it would be nice to know what the film was about. Very interesting use of harmony and although it doesn't develop musically, it manages to keep the interest throughout.
7 months 14 days

Natural History by Film & TV ComposerNicholas Paul Simpson

Skillfully orchestrated - strings and woodwind are charming and it develops really well without ever getting too overbearing. I can see it getting good usage as a library piece. My only critisism would be the brass samples at the start are a little offensive on the ear. Other than that this is delightful.
7 months 14 days

Chapters by Film & TV ComposerStu Kennedy

Lovely rich sound and unusual textures and I like the irregular time sigs. Really nicely produced and effective use of piano. Nice job!
5 months 26 days

Revenge Of The Resurrected by Film & TV ComposerStu Kennedy

Great eerie track - I can definitely see zombies. Hints of Danny Elfman but without the cliched bass lines. Choir isn't over used and love the strings that build from 50''. Fantastic!
5 months 26 days

Wired by Film & TV ComposerAlex Archer

Great laid back style and the sound elements blend in nicely. Really nice bass. As a theme for The Wire I think it would work well - catchy, cool and classy. I like the subtle string interjections - not too overstated. Very enjoyable.
5 months 14 days

Ghost vs. Woman by Film & TV ComposerDavid M Saunders

Lovely subtle use of texture throughout and sensitively scored. Very successful in conveying a sense of hope and strength. Really nice subtle vocal interjections. Very nice work which displays a truly original style.
5 months 14 days

It's In The Water by Film & TV ComposerEd David Watkins

Sensitively scored with effective use of instrumental colour. And the climax is terrifying! An accomplished piece of underscore.
5 months 14 days

Adventure by Film & TV ComposerRoger Pasto Cortina

Lively and effective instrumentation. It has a jovial character that seems very apt given the context. Some of the samples lack authenticity particularly towards the end but I don't think this detracts too much from the overall effect. Very attractive.
4 months

Funny How Things Work Out by Film & TV ComposerIan Dolamore

Very successful in creating the sought-after quirky dark sound that is so popular these days with tv execs. A little bit similar to some well known themes but this isn't necessarily a bad thing. Lovely atmospheric writing and creatively produced. I like the changes of pace. Very effective.
4 months

desolation by Film & TV ComposerRudi De Groote

A very appealing and enjoyable piece. Simple but very effective in portraying the lonely world you describe in the context. I can see why you chose not to develop the melodic material and the performance is excellent.
4 months

Ghost in the Machine by Film & TV ComposerAndy Stuteley

This works very well and was no doubt popular with the producers. Creative use of melody and instrumentation and it manages to keep the interest without being too cliched. A polished sound which is helped by high quality samples and a good ear for production. Very effective.
4 months

No Ordinary Trifle Opening Credits by Film & TV ComposerTom Howe

Effective laying of sound and really nicely produced. The simplicity of it is appealing and the cello line is a nice surprise. I look forward to hearing more of your work.
1 months 21 days

Retrospect by Film & TV ComposerPhil Rowlands

Lovely string scoring. Just the right level of emotion without being over sentimental. I can see it working in a multitude of scenarios. It would really be lifted with a live cello melody in the opening if you ever get the opportunity.
1 months 21 days

Soar by Film & TV ComposerDavid Hunt

I can see this working well for the scene - lovely soaring strings with simple harmonies and a wistful quality. Very effective. I think the piano could go a little higher without intruding on the strings.
1 months 21 days

Shooting the War: Threnody by Film & TV ComposerJoseph Atkins

Intelligently scored and with great sensitivity and depth. I enjoyed this immensely. Although the effect is bleak it is also strangely uplifting. Very powerful music.
1 months 5 days

Other Reviews by Olivia Dixon

Clouds by Film & TV ComposerPhil Rowlands

This is pleasant sounding with some interesting harmonies (although I'm not quite sure what's going on with the harmonies about 2 mins 30 secs in). But right from the outset the production seems dated and unimaginative. You need to vary your percussion more and use more convincing sounds. The piano sounds very 80s and harp and pizz strings are also unconvincing. You can get much better sounds these days quite cheaply. I think you need to update your sound library if you have any chance of competing in this competitive field.
5 months 13 days

Feature Comment

"I'm on a trial period with an agency and have pitched for free on a few projects, but once the trial period is over (I guess when I actually win a pitch) then they do pay pitch fees, though no where near......"
Lee Miller on the Feature Pitching For Free — What's the Deal?

May Composer Offer:
15% discount on online mastering at their world-renowned recording studio Abbey Road

Successful mastering depends upon the involvement of a highly trained, skilled engineer, the appropriate combination of traditional and state-of-the-art equipment, plus an ideal acoustic environment.

28 Jul 16:49

MagicWaltz by Roger Pasto Cortina

I like this track icon
24 Jul 15:55

Prayer by Lila Senior

21 Jul 19:59

Voices Orff by David Gosnell

28 Jul 17:07

Prayer by Lila Senior

  • “Very nice track Lila! I'm sure it works really good on the scene.…”
  • Roger Pasto Cortina (Composer)
16 Jul 15:19

Shooting the War: Threnody by Joseph Atkins

  • “World War II is hardly synonymous with anything other than bleak, oppressive and dark times and this piece encapsulates the mood perfectly. Good stuff.…”
  • Ben Walter (Panellist)
07 Jul 02:21

Jana Non Regina by Elizabeth Levine

  • “I'm with Alex on this one, Elizabeth. Outstanding.…”
  • Ed David Watkins (Composer)

Featured Composer Joris de Man

Joris de Man

Screened Music Composer Joris de Man has won the Ivor Novello award for Best Video Game Score, the first time the category was included at the Ivors. More

Screened Music is for…

  • Professional film and television composers
  • Composers wishing to attend technical seminars
  • Industry professionals who wish to attend screening showcase events
  • Music commissioners who wish to contact our composers
  • Anyone with an interest in film and television music

Advertisement

Page top